-
From Yolanda Sullivan June 3rd, 2022
0 likes 7 playsWhen the Source is a Moving Target -
From Yolanda Sullivan June 3rd, 2022
0 likes 7 playsActing Upon the Literary Work: Revision, History, and Translation of Antonio DiBenedetto's Trilogy of Expectation -
From Yolanda Sullivan June 3rd, 2022
0 likes 2 playsTranslating Yiddish Women: Fradl Shtok and the Modern Jewish Canon -
From Yolanda Sullivan June 3rd, 2022
0 likes 2 playsTranslating Polish Reportage: Challenges and Strategies -
From Yolanda Sullivan June 3rd, 2022
0 likes 4 playsTranslating Medieval Texts -
From Yolanda Sullivan June 3rd, 2022
0 likes 4 playsTranslating Vietnamese -
From Yolanda Sullivan June 3rd, 2022
0 likes 0 playsTranslation as Movement -
From Yolanda Sullivan June 3rd, 2022
0 likes 2 playsHearing Voices: Narrative Voice, Dialogue, and Character Acting in Literary Translation -
From Yolanda Sullivan June 3rd, 2022
0 likes 11 playsTranslating Between Modalities: The Case Study of American Sign Language and English
